{"id":4177,"date":"2019-11-27T17:29:00","date_gmt":"2019-11-27T15:29:00","guid":{"rendered":"https:\/\/villamedici-giulini.it\/luciana-serra\/"},"modified":"2021-07-14T15:46:14","modified_gmt":"2021-07-14T13:46:14","slug":"masterclass-luciana-serra","status":"publish","type":"post","link":"https:\/\/www.villamedici-giulini.it\/en\/masterclass-luciana-serra\/","title":{"rendered":"Masterclass Luciana Serra – Opera singing"},"content":{"rendered":"\t\t
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Luciana Serra<\/h2>\n

Born in Genoa. She made her debut with 18th<\/sup> Century operas.<\/p>\n

From 1980 onwards she sang in the main Italian theatres: Teatro alla Scala, Comunale di Firenze, La Fenice di Venezia, San Carlo di Napoli, Opera di Roma, Filarmonico di Verona, Regio di Torino, Carlo Felice di Genova, Giuseppe Verdi di Trieste, Comunale di Bologna, Massimo di Palermo, Regio di Parma, Rossini Opera Festival di Pesaro, Arena di Verona, Donizetti di Bergamo, Sferisterio di Macerata, Puccini Opera Festival di Torre Del Lago, bringing to the attention of public and critics the “soprano di coloratura” along with rediscoveries of both Rossini’s and Donizetti’s serious and \u201cbuffo\u201d production. “Accademico” from 1981 of “La Regia Accademia Filarmonica di Bologna”. In the meantime, she proceeded with her international career.After her debut at Covent Garden in London with “Les Contes d’Hoffmann” by Offenbach (Domingo – Serra -Cotrubas – Altza), in the most important theatres in the world: Staatsoper in Vienna, Salzburg Festival, Staatsoper in Hamburg, Metropolitan in New York, Lyric Opera in Chicago, San Francisco Opera, Municipal of Santiago Del Chile, Gran Liceu of Barcelona, Opera Bastille of Paris, Municipal of Lausanne, La Zarzuela of Madrid, Le Capitole of Toulouse, The Athens Concert Hall, Berliner Philarmonie of Berlin, Sala Grande of the Moscow Tchaikowsky Conservatory, and in Bilbao, Montreal, Lisbon, Tokyo, Nagoya, Osaka, Singapore, Hong Kong, Seoul, Corinth. In Corinth, during the Cultural Olympics in Athens in 2001\/2004, she participated in the role of Pamira in “The Siege of Corinth” by G. Rossini, set up in the archaeological site. She has sung under the guidance of important conductors, including Claudio Abbado, Salvatore Accardo, Richard Bonynge, Sir Colin Davis, Nikolaus Harnoncourt, James Levine, Peter Maag, Georges Pretre, Giuseppe Sinopoli, Sir George Solti, Sir Jeffrey Tate.<\/p>\n

Repertoire<\/h3>\n

Auber Fra Diavolo<\/em> (Zerlina)
Bellini La Sonnambula<\/em> (Amina), I Puritani<\/em> (Elvira), I Capuleti e Montecchi<\/em> (Giulietta)
Beethoven Nona Sinfonia
<\/em>Boccherini Stabat Mater<\/em> (First version 1781)
Delibes Lakm\u00e8<\/em> (Lakm\u00e8)
Donizetti Anna Bolena<\/em> (Anna), Lucia di Lammermoor<\/em> (Lucia), L’elisir D’amore<\/em> (Adina), La Fille du Regiment<\/em> (Marie), Don Pasquale<\/em> (Norina), Torquato Tasso<\/em> (Eleonora D’este), Gianni di Parigi<\/em> (Principessa Di Navarra), L’ajo nell’imbarazzo<\/em> (Giulia), Il Furioso all’isola di San Domingo<\/em> (Eleonora), Le Convenienze e Inconvenienze Teatrali<\/em> (Corilla)
Gazzaniga Don Giovanni<\/em> (Donna Elvira)
Gounod Faust<\/em> (Marguerite), Romeo e Juliette<\/em> (Juliette), Jommelli Fetonte<\/em> (Dea Teti), Lehar la Vedova Allegra<\/em> (Anna Glawari), Meyerbeer Dinorah<\/em> (Dinorah)
Mozart Die Zauberfl\u00f6te<\/em> (K\u00f6nigin Der Nacht), Nozze di Figaro<\/em> (Contessa), Idomeneo<\/em> (Elettra), Exultate Jubilate
<\/em>Offenbach Les Contes D’Hoffmann<\/em> (Olympia – Giulietta – Antonia – Stella)
Puccini Gianni Schicchi<\/em> (Lauretta), Turandot<\/em> (Li\u00f9)
Righini Alcide al bivio<\/em> (Edonide)
Rossini Barbiere di Siviglia<\/em> (Rosina), Le Comte Ory<\/em> (Contessa), Il Viaggio A Reims<\/em> (Contessa Di Folleville -Madama Cortese), La Scala Di Seta<\/em> (Giulia), L’occasione Fa Il Ladro<\/em> (Berenice), Mos\u00e8<\/em> (Anaide), La Gazza Ladra<\/em> (Ninetta), Stabat Mater<\/em>, Messe Solennelle
<\/em>Strauss Il Pipistrello<\/em> (Rosalinde)
Thomas Mignon<\/em> (Philine)
Verdi Rigoletto<\/em> (Gilda), Traviata<\/em> (Violetta), I Lombardi alla Prima Crociata<\/em> (Giselda), Falstaff<\/em> (Alice)
Vivaldi Laudate Pueri
<\/em>She still plays an intense concert activity. Among the various concerts, it can be mentioned:
Teatro alla Scala: Serra \/ Kettelson (1994) Concerto del Millennio (Beethoven’s Ninth – Conductor: Sinopoli) New Year 2000
Rome – Piazza del Quirinale, live at the presence of the Italian President Concerto per la Vita e per la Pace – Natale 2002
Bethlehem and Jerusalem (Eurovisione Rai 2 – Christmas 2002)
Massimo di Palermo – G. Rossini – Petite Messe solennelle<\/em> (Serra\/Canino\/Ballista\/Conductor: E. Mazzola)
Teatro Olimpico di Vicenza (Serra\/Ballista)
Scuola Grande di S. Giovanni Evangelista – Venezia (Serra\/Alvini)
Concert on Good Friday 2007 – G. Rossini – Stabat Mater<\/em> (Conductor: D. Fasolis \u2013 Orchestra and chorus Rtsi \u2013 Lugano)
She holds masterclasses all over the world.
She is professor of vocal technique at the Accademia della Scala in Milan.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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